Showdown: Rerecords

This post was requested back in November but it's finally here now. This time, I'm comparing two recordings of a single track by the same band over a couple of decades to see whether the band still have their spark or if their talent has faded away over time.
It's quite a straightforward format; I'll talk about the original recording first, then the rerecording before wrapping it up with my verdict as to which is best. I should also mention that I'm aiming to pick 10 different bands for this post and some artists are known for having several notable rerecords so if I pick the "wrong" track to discuss, I apologise. Unlike previous posts, most of these comparisons will be looking at small details in the songs rather than comparing two completely different entities so this post is one for fans of that sort of thing.

ROUND ONE: "Cult Of Personality" - Living Colour
Original (1988) - The original and the band's biggest hit, even if the riff did come about accidentally. I have to say, even if this isn't one of many favourite songs to listen to in any category, it might just be a perfect Rock song. Epic riff, awesome hooks throughout, decent structure, great outro and, of course, that solo. There isn't a single beat in this song that could've been done better if it was changed for something different so props to Living Colour for that.
Rerecord (2007) - Rerecorded for Guitar Hero 3: Legends Of Rock and virtually indistinguishable from the original unless you listen to them side by side or know the solo well. Whilst there are a few little subtle changes here and there (such as sustains in the verse and clearer percussion in the mix), the key difference in this recording is the intensity of the solos. Since it was rerecorded for GH, they presumably decided to make it more challenging for the players and by gum, I'm glad they did!
VERDICT - I should probably listen to more Living Colour as the high quality of their music hasn't faltered at all in that space of time. However, I am giving the win here to the Original for being what I consider the better song. The rerecord might have more furious shredding in the solos which is fun for playing Guitar Hero but kind of soulless when you're listening to it as a song. Fortunately, it's still a great rerecord although you'll probably enjoy it more if you have memories of playing it on GH.

ROUND TWO: "Heavy Metal Thunder" - Saxon
Original (1980) - It's been tricky to find tracks for this list that weren't discovered due to Guitar Hero/Rock Band but alas, here's our first! Album opener off Strong Arm Of The Law and most likely named after the lyric from "Born To Be Wild" - Steppenwolf that gave birth to the genre's official title, "Heavy Metal Thunder" is a rapid bastard of a track. Most people will know Saxon for "Wheels Of Steel" and if they knew Saxon were capable of this kind of Metal, they'd probably be more popular overseas.
Rerecord (2002) - I've gone on record as saying Saxon are one of the few bands in existence that have actually improved with age so I couldn't miss these guys out when writing about rerecords. I chose this track as it was picked not only as the album opener for the compilation this came from but also the song for the compilation to be named after. In terms of differences between this and the original, they're a bit easier to spot than the previous track. Heavier drums, more prominent/complex guitar, slightly less prominent bass, longer outro and a generally superior sound quality due to modern recording equipment.
VERDICT - You probably could've guessed this but it's going to the Rerecord. Even if you ignore the cleaner sound on the 2002 version, the original just doesn't sound as powerful as a track like "Heavy Metal Thunder" deserves to be. If anything, the 1980 original sounds like the weaker rerecord of a lesser band, although I do still like that version.

ROUND THREE: "Detroit Rock City" - KISS
Original (1976) - Probably one of the best KISS singles that most Rock fans would know and definitely superior to signature songs by the band. Even though it contains heavy riffs and a relatively weak guitar solo, this track is arguably  carried by the vocals and bass throughout, standing it apart from your typical air-guitar arena anthems of the genre. The only thing that really ruins it is the 1:29 of car noises (and another fucking KISS recording) before the track actually starts, not to mention the shrill car crash effects at the end.
Rerecord (2008) - Released as part of a Japanese collection of rerecords entitled Jigoku-Retsuden (Intense Transmission From Hell), this version of "Detroit Rock City" is mostly the same as the original except for a few small points. 1) The tempo is slightly slower. 2) The backing vocals and instruments sound a little different, due to the change in band members. 3) The introduction with the car effects has gone, although a few driving sounds can be heard throughout the song.
VERDICT - I should give it to the 2008 version for cutting out the intro but the win belongs to the Original for being slightly faster. Single edits and remasters can remove the car effects but the slower tempo can't be changed, making the rerecording ever so slightly worse, in my opinion.

ROUND FOUR: "Come Sail Away" - Styx
Original (1977) - Along with "Mr. Roboto", this is probably one of the most well known Styx songs out there to the general public. Whilst it isn't my personal favourite, it's not a bad tune with a nice piano intro and an awesome Rock build up as the song progresses. It might be a little too long-winded and synthy for many people's tastes but if you can make it to the words "come sail away" in the actual song, I think you'll be alright. This song's also pretty good when sped up 25% too.
Rerecord (2010) - Styx are one of the many Arena Rock bands that have felt the need to rerecord a bunch of their classic material in recent years due to lineup changes (and possibly original song royalties going to ex partners after bad divorces) so it's no surprise that "Come Sail Away" appeared on an EP entitled Regeneration: Volume 1 containing some of the band's other hits. Whilst the piano intro is spot on, the rest of the track is noticeably heavier when the guitar comes in and the drums sound a bit better too. Oh, and the guitar solo during the outro gets a bit more love too.
VERDICT - This might piss off purists but I'm going with the Rerecord on this one. Better sound, heavier riffs, more complex solo and still retains everything that made the original awesome. No question, I'd rather listen to that version if given a choice.

ROUND FIVE: "No Time" - The Guess Who
Original (1969) - It's a good 20 seconds before this song becomes a song instead of shitty noise so we're off to a poor start already. However, once the drums come in, it's all sorted out. It's got a semi-psychedelic vibe to it and if you've never heard the song before, I recommend listening to this version first. Those who've heard the rerecording but didn't know there was an original version might be interested to learn the main difference involves this track being longer due to an added guitar solo and verse.
Rerecord (1970) - Yup, it only took a year for this band to realise they could do better. Once again, the differences vary from obvious to subtle here. Obvious being the shorter song length and more radio-friendly nature to the track, subtle being the slightly faster tempo and musical consistency in the chorus. A common link between each of these songs seems to be the difference in outro too, as this song fades out instead of ending like the original.
VERDICT - This is a tricky one. On the one hand, I like the shorter version for being a tighter recording but on the other, I like listening to the band giving me more music to enjoy in the original. However, if I had to pick one to listen to for the rest of my life, I'd pick the Rerecord as I didn't feel like I'd miss any of the extra material in the longer version.

ROUND SIX: "Blackout" - Scorpions
Original (1982) - Surprised I'm not picking "Rock You Like A Hurricane"? I'll explain why in the next paragraph but first, let's look at this track from the album with the same name. It's a great Metal track that's probably overlooked thanks to songs like "Wind Of Change" and the aforementioned "Rock You Like A Hurricane" but it's got everything a good Metal song from the early 80s needed: solid riff, decent solo, screeching vocals and a study driving rhythm. I'd listen to this song more if not for the shitty ending; you know what I'm talking about.
Rerecord (2011) - Since the covers/rerecords album this came from was called Comeblack, I thought I'd pick the track that half the portmanteau is named after. It's pretty faithful to the original, although since Klaus Meine's vocals have deepened over the years, the song has to be tuned down a key. Combine this with the cleaner recording equipment and heavier drumming to make what sounds like more of a Metal track.
VERDICT - It's another win for the Rerecord army, I'm afraid. As I said above, the 2011 version sounds more like Metal to me and the improved ending without the glass smashing helps significantly too. For the record, I love the original track too and own both versions of the song on my phone.

ROUND SEVEN: "Juke Box Hero" - Foreigner
Original (1981) - Oooooh, I fucking love that bass! One of Foreigner's popular Hard Rock tracks that isn't a power ballad and definitely one of their best! Even if the vocals sound a bit raw now and then, the music and story told throughout the song are perfect Arena Rock material, although it'd be cool if the solo had a bit more going for it. Otherwise, it's awesome though. Bonus points go to this song for the use of dynamics in the mix to help get your adrenaline pumping.
Rerecord (2011) - Again, I chose this due to it coming from a bonus disc of rerecords named after this song...that and that it's an awesome song. Straight away, you can hear more synth and a lower key but if you listen closely, you can hear the dynamics in this mix are a little more balanced between the soft build up and loud pay off. Whilst this is definitely a reduction in quality, the chorus sounds fucking brilliant in the new key. Another big difference is the solo, which has been vastly improved. Even if there are some similarities, it sounds more like an actual guitar solo than the original.
VERDICT - Fuuuck, another tricky call to make. Whilst the 2011 version has the improved solo and chorus, I'm giving it to the Original purely down to the dynamics. They could've made the rerecord fucking incredible if they got the mix right but it just sounds flat compared to the 1981 version. Maybe that's just me but all I know is I got shivers listening to the original and nothing with the rerecord.

ROUND EIGHT: "Under The Sky" - The Answer
Original (2006) - As far as debut album openers for modern Rock bands go, this one's pretty sweet! Good rhythm, tasty riffs on guitar and bass, great vocals and a well written structure. It's one of the stronger tracks on Rise (although not my personal favourite) and I'm sure it was at least partially responsible for their career taking off, even if a different song off the album was featured on the Guitar Hero: World Tour soundtrack.
Rerecord (2016) - Last year, The Answer decided to release a 10th anniversary version of their debut and with it came a new version of this song...just this song. To be honest, if you didn't know either track that well, you'd find it tricky to identify which one came first as aside from a shorter intro, they're basically identical. With a couple of listens, you can hear a few minor tweaks in the sound quality but that's all. Each band member seems to remember this song fondly as they can recreate it perfectly, which begs the question as to why they bothered rerecording and releasing this track anyway.
VERDICT - Since both tracks sound the same, I have to look to the biggest difference; the intro. Personally, I much prefer the screaming guitar and build up at the start of the 2006 version over the basic strumming and drumming of the 2016 one so it's an easy choice. Original wins this round hands down.

ROUND NINE: "Iron Fist" - Motorhead
Original (1982) - I knew Motorhead was going to be in this list at some point but I didn't know which track until I started going through all the ones in Guitar Hero and Rock Band. I've already written about "Overkill" and "Ace Of Spades" so the next choice was either "Iron Fist", "Love Me Like A Reptile" or "(We Are) The Road Crew"; since "Iron Fist" was the first rerecord I heard after "Overkill", it had to be this one. It's basically another "Ace Of Spades" with two solos and a shitty fade out but if you like Motorhead's sound, you'll like this song.
Rerecord (2008) - I don't know if Motorhead rerecorded a bunch of songs just for GH/RB but somewhere out there is a collection of recordings from 2008 that will hopefully be released one day now that Lemmy's passed away. Since the other two band members have changed since the 70s/80s, the main difference in song quality is down to the guitar and drums. Personally, I fucking love the guitar in this song. Phil Campbell's work sounds a lot better here and at least this version has a proper outro.
VERDICT - Definitely the Rerecord. Motorhead stayed strong all the way to the end and I'm actually pretty fucking gutted that I never got a chance to see them live. However, their music will always live on and even if it seems like a bit of a hollow cash grab on the part of band/family members, I would be very interested in listening to unreleased rerecords of Motorhead material. If the Jimi Hendrix estate can get away with it, so can these guys.

ROUND TEN: "Long Red" - Leslie West
Original (1969) - Bet none of you expected this for the last song. There are a bunch of Arena Rock songs I could've picked but I feel like we've had enough them so far. Instead, I chose a song that has possibly the biggest gap between rerecords I can find. This song's often attributed to the band Mountain (the band Leslie West would form after this album, also named Mountain) and even though they've played it live, it is a Leslie West song. It's built around a lovely little keyboard riff with acoustic guitar laying down the backing melody. It's a gentle track that deserves a lot more radio play than it's getting.
Rerecord (2013) - Not only does this have a whopping gap of 44 years between recordings but it's probably the only track on here that sounds totally different to the original. Granted it keeps the same structure and you can sort of tell it's still Leslie singing but if you didn't know it was by him, you'd have trouble working out that it was a rerecord. It's slightly heavier/cleaner on each instrument, the vocals are naturally deeper, the guitar riff between verses is played differently, the song fades out on organ instead of guitar and there are more guitar solos throughout. In short, this is probably more of a Rock song than the original.
VERDICT - I love both versions of this track for different reasons but I think I need to go with the Original on this one. It's that song that I fell in love with and to me, it's the delicate tone of that song that works best with the lyrics and music. However, that's not to say Rock covers/rerecords aren't awesome too. If you like the song and Classic Rock, check out Mountain's live version from 1972. Also, check out "Home Is Where I Want To Be" - Mott The Hoople, a song that was almost certainly heavily inspired by this track (further backed up by the fact that a cover of "Long Red" appears on the same album this is from!).


Aaaand it's a tie again! 5 for Originals, 5 for Rerecords. Not that I'm trying to prove one's objectively better than the other, of course. Now it's time for the bit I always include at the end of these posts in the hope that I'll get more feedback: do you agree with this list? Did I miss any famous rerecords or do you have any to recommend? Let me know in the comments and (say it with me now...) via Twitter!