Rapid Fire: Scorpions, Testament, White Wizzard

Our final post of the month is a quick look at three albums released across different decades that all share at least one common factor. In this case, it's striking album artwork and what better genre to represent high quality album art than Heavy Metal.
The first album comes from a band known for controversial album artwork that often had to be replaced by a less offensive images. That's right, it's NOT Cannibal Corpse because fuck them. It's Scorpions.


1. Blackout - Scorpions

Of all the classic Scorpions albums I've listened to, this is probably my favourite. It also has the best album artwork with Lovedrive coming in at a close second. Anyway, when it comes to Heavy Metal from the 70s, Scorpions are arguably the gold standard. The perfect blend of Klaus Meine's vocals, guitar from one of the Schenkers and percussion from [INSERT DRUMMER HERE] (although Herman Rarebell's work on this album is a highlight) result in a sound that sounds a little more aggressive than typical Hard Rock but not quite as furious as 80s Metal; this is apparent from album opener and title track "Blackout", a fan favourite containing great riffs, a catchy chorus and an outro that maybe could've done without the scream.
From here, the album gives us a healthy variety of commercially oriented Pop Metal ("No One Like You"), slower power ballads that still rock ("When The Smoke Is Going Down"), chugging Heavy Metal ("China White") and fast paced bangers ("Dynamite"). This album has a good hit-shit ratio but the variety does mean fans of faster Heavy Metal might get a little bored during the more casual tracks like "Arizona". Likewise, listeners who want something to chill out to should probably find a different album (or genre) due to songs like "Now!" appearing and shaking you awake.
This album is an all-rounder and definitely a classic that I'd recommend to fans of the genre  although it takes its strongest step in the first half. The latter half is made up of deep cuts and afterthoughts that likely won't win anyone over if they hadn't heard any of the album's main singles that all happen to come from the first half. Blackout isn't the best Heavy Metal album in existence but it's certainly a strong contender for one of Scorpions' finest records; definitely one of the best out of their golden years (Virgin Killer to Savage Amusement).

1. Blackout

2. Can't Live Without You

3. No One Like You

4. You Give Me All I Need

5. Now!

6. Dynamite

7. Arizona

8. China White

9. When The Smoke Is Going Down

ALBUM RATING - 7/10

Next up is an album from 1990, the last year of the truly great Heavy Metal album.

2. Souls Of Black - Testament

When choosing music for this post, it was between this album and Spreading The Disease - Anthrax but in the end, I went with Testament because I've already talked about Anthrax in a Rapid Fire post. Besides, this album needs addressing. First off, we have a fucking great album cover. Along with Spreading The Disease and Peace Sells...But Who's Buying?, it's artwork that I could get lost in and catches your eye when browsing the Metal section of your record store. Then we have the album opener "Face In The Sky" after acoustic intro "Beginning Of The End". Both tracks do a great job of creating atmosphere before giving you some damn fine Thrash Metal to get stuck into.

The album contains some exceptional material that could easily go toe to toe with some of Thrash Metal's finest moments but unfortunately, there's one glaring fault that prevents Souls Of Black from being a shining star: the godawful, horrifically flat mix. When all's said and done, you can compare Souls Of Black to other Metal albums released in the same year like Rust In Peace and Painkiller and the difference in audio quality is night and day. Producer Michael Rosen should be fucking ashamed for ruining what could've been a damn near perfect record, although the producer credits also list Testament as producing so the fault could lie with them too.

Either way, there are a lot of great songs here that are sullied by the terrible mix (as proven by the far superior rerecording of "Souls Of Black" used in Rock Band 2) but if you can get past that, there are plenty of jewels to be found in this trash can. Even when the tracks slow down to take a breather, they still maintain the raw aggression and awesome riffs needed for top notch Thrash. Maybe one day the entire album will get the rerecording treatment instead of just the title track but until then, I guess we'll have to make do with this swing and a miss.

1. Beginning Of The End

2. Face In The Sky

3. Falling Fast

4. Souls Of Black

5. Absence Of Light

6. Love To Hate

7. Malpractice

8. One Man's Fate

9. The Legacy

10. Seven Days Of May

ALBUM RATING - 7/10

The last album is a fairly modern one (2010) but was clearly inspired by Metal greats from the 80s.

3. Over The Top - White Wizzard

White Wizzard are an American NWOTHM band that MAY have listened to a lot of Iron Maiden and Anthrax whilst growing up, but I'm not completely certain about that. Regardless of their personal taste in music, the band's amplified bass, falsetto vocals and galloping rhythm definitely conjure memories of 80s Metal as demonstrated in album opener and title track "Over The Top". It's a great introduction to the band if you've never heard of them before (which is highly likely) but the real heavy hitters come later on, especially if you're a fan of riff-based Metal and backing vocals perfect for singing along during gigs.

Even though there are more than a few comparisons to their sources of inspiration, the band are easily able to stand up on their own feet. In fact, I'd argue that there's a case to be made that White Wizzard have taken those factors and improved them. Whilst there's the occasional proggy deep cut ("Iron Goddess Of Vengeance"), there are also tracks with mildly progressive elements ("High Roller") that don't go on anywhere near as long as those in modern Iron Maiden or Dream Theater songs, meaning that fans of Heavy Metal that remains tight and energetic will have a lot to enjoy in this album. There's also the fact that vocalist Wyatt Anderson can hit those high notes without sounding too rusty, something Bruce Dickinson is starting to lose if live gigs are anything to go by.

The only main downside to Over The Top is that a great Heavy Metal album has plenty of variety between fast tracks, moderately paced sluggers and slower, more emotional material. This album lacks the slower songs that allow the band to show off their musical talent, instead opting to rewrite the same song ("Live Free Or Die" and "Strike Of The Viper"). As a result, you might feel like the band are a bit one-note if you're not a fan of the song they clearly love. Fortunately, I love that song so this is a great album for me. I definitely recommend it if you want some good old fashioned Heavy Metal.

1. Over The Top

2. 40 Deuces

3. High Roller

4. Live Free Or Die

5. Iron Goddess Of Vengeance

6. Out Of Control

7. Strike Of The Viper

8. Death Race

9. White Wizzard

ALBUM RATING - 8/10

Next month: Hopefully posts that don't all come within the last week, although it does depend largely on personal issues resolving themselves.

Tenology: Valuable Vocalists In Rock/Metal

Here we are! The end of this four-part Tenology collection looking at impressive musicians who take on the four main roles of any great Rock/Metal outfit. We've covered guitarists, drummers and bassists so far so vocalists are finally getting their time in the spotlight...you know, apart from all the time when they're on stage.
As I feel obliged to mention whenever I write a Tenology post, this is not the equivalent of posts proclaiming that Vocalists 1-10 are THE best in Rock and/or Metal, nor is it my personal top 10 list of all time. There are almost certainly going to be talented vocalists that I overlook when writing this (I'm still kicking myself for completely missing a fucking awesome bassist in my last post. I might go back and edit it soon) but as the name suggests, this is merely a 10-person list of vocalists whom I would place on a pedestal.
If I've missed any shining stars that you believe deserve a space more than some of my other entries, feel free to let me know in the comments or via Twitter. However, if they've appeared in previous blog posts for their talents as a different musician (e.g. Geddy Lee of Rush) then you won't find them here, although chances are I value them as a vocalist if they can play and sing simultaneously. Also, be aware that there are some vocalists I have intentionally left out because I personally believe that when it comes to singing, they're a bit shit (or at best, overrated). Here are some of them!

Ozzy Osbourne
Mick Jagger
Bruce Springsteen
Janis Joplin
Bob Dylan
Serj Tankian
Blaze Bayley
Axl Rose

Right, now that we've got that unpleasantness out of the way, let's look at the valuable vocalists!


1. Paul Rodgers

Largely responsible for one of the best live shows I've ever been to

I don't usually write these posts in order of personal ranking but I felt like I had to start this list off on a strong note, so to speak. Paul Rodgers has been in quite a few groups over the years (notably Free and Bad Company, although he also recorded an album with Queen) but I'm mostly counting Paul's contributions as the Bad Company frontman for his placement here. The man's voice is simply incredible; smooth and soulful but able to fully Rock at the drop of a hat. Some of the bands big hits such as "Feel Like Makin' Love" and "Electricland" showcase his ability to flawlessly flip between two different singing styles but if you need even more proof, go and see him perform live. The fact that the man can still belt out the classics after four decades as if he were in the studio laying them down for the first time is the sign of an incredible vocalist.


2. Klaus Meine

No, this isn't Ronnie James Dio

Compared to some vocalists, Klaus Meine probably isn't the first choice for a list of undeniably talented Rock/Metal frontmen but to me, there is no Scorpions without Klaus Meine. His raw vocals are synonymous with the band's own blend of Heavy Metal, whether it's in the band's iconic anthems ("Rock You Like A Hurricane", "Wind Of Change") or lesser known deep cuts ("Catch Your Train", "Another Piece Of Meat"). To me, the sign of a strong Rock/Metal vocalist is the ability to use the sound of their singing voice as its own instrument unique to that band. Some of the vocal melodies sung by Klaus give the songs that extra push that separates them from generic material by other 70s/80s Metal bands, hence his inclusion here.


3. Sean Harris

In an alternate universe, this guy is as popular as everyone else on this list

It's hard to compare the works of former Diamond Head vocalist Sean Harris to the rest of the entries on this list when you factor in that most iconic and well respected Rock/Metal vocalists have had many, many albums to hone their ability and make a splash on the music scene. However, the fact that Sean's only had a couple of albums worth of decent material to show how great he is only adds to my admiration of the man. There was a time when he was hailed as the next Robert Plant and after listening to such tunes as "It's Electric" and "Trick Or Treat", I can understand why. I'm hesitant to describe his singing as "wailing" because it sounds like criticism but if you've ever listened to the band, you'll know what I mean. His vocal work isn't as harsh or aggressive as you'd expect from a Metal band but it still works incredibly well. It's a shame these guys didn't get a bigger break as I imagine we only scratched the surface of what Sean Harris would've been truly capable of.


4. Steve Perry

Not sure if this guy counts as "underrated" but if there's a tier just behind that, this guy's in it

Whilst I'm not the biggest Journey fan on the planet, I would defend Steve Perry's inclusion on this list for one song and one song alone. Naturally he's a great vocalist on a wide range of Journey's material but whenever I think of his work, I always find myself drawn to one clear example of what I would consider his finest hour: "Keep On Runnin'". It's the kind of song that would inspire me to learn to sing just so I could blast it out without sounding like a completely tone-deaf wannabe although I doubt any amount of practise would make me capable of matching his vocals. The verses Rock extra hard because of his singing and the chorus is driven by the sheer power of his voice alone. Your average music fan will probably be impressed by his work on "Don't Stop Believing" and "Open Arms" but seriously, listen to "Keep On Runnin'" if you haven't already and tell me that this guy doesn't have pipes of fucking gold.


5. Stevie Nicks

From Steve to Stevie. If Aerosmith were a bit better, I could've had the hat trick

The first woman to appear on these Tenology posts although she's not the only one worthy enough to grace this list (hint hint). Fleetwood Mac has had a few vocalists but none as significant as Stevie Nicks. Stevie's stage presence and, most importantly, her voice gave the band a specific image; one of mysticism without going into full weird territory like some Prog Rock bands. Female vocalists like Lizzy Hale and Ann Wilson succeed in bringing power to songs through conventional means but Stevie Nicks achieves that same level of pure Rock through her haunting, raspy vocals that were easily responsible for putting Fleetwood Mac on the map. The whole Rumours album is essential listening if you want to hear some of her best work but there's also signature songs from her solo career, even if you think "Edge Of Seventeen" is a bit dull when it comes to the structure.


6. Phil Lynott

Photography 101: black and white makes everything better

I know I mentioned Phil Lynott in the honourable mentions of the bassist blog post BUT he didn't make the main cut so technically he's still a contender for this one. The main reason I didn't give Phil a proper place in the bassist post is because I believe he was a much greater vocalist than a bassist, hence his inclusion here. I mean, his voice was just so fucking cool! When he sung about "the boys" (and let's face it, he sung about 'em quite a bit!), you got the impression that he was not just one of them but one of the more badass ones. At the risk of sounding repetitive, Phil was also skilled at adapting his voice to suit softer or less powerful Rock songs ("Sarah", "Don't Believe A Word") and heavier, fast paced powerhouses ("Cold Sweat", "Angel Of Death"). His voice was so unique, so irreplaceable that his death effectively killed Thin Lizzy once the rest of the band realised there would be no Thin Lizzy without him. Granted they then formed Black Star Riders but if Phil didn't have his incredible voice, you can bet that they would've stuck with the original band name.


7. Biff Byford

Now THAT's a name and a half!

It's no secret that Saxon are one of my favourite bands of all time AND that I feel they're one of the few proper Rock/Metal bands in existence that have only improved with age. If you listen to rerecordings of their classics, they sound so much heavier without losing part of what made Saxon incredible and the main reason for that is Biff Byford's raw vocals. Some of the vocalists here will never be able to recreate the magic they captured in the recording studio all those years ago but to actually surpass it many, many years later is a talent that Biff deserves way more credit for. And yes, his voice is awesome in every single Saxon song that I've heard so far; the perfect Heavy Metal vocals for a band as great as Saxon. I recommend checking out some of the rerecordings on the Heavy Metal Thunder compilation as well as the original recordings to hear how Biff's voice has remained incredible since the early 80s.


8. James Hetfield

Ugh, Metallica. Right? Am I cool yet?

Whilst Hetfield may have gone down in my books on a personal level due to his refusal to flat out denounce Trump (claiming that politics separates people and indirectly stating that he's totally OK with Nazis and shitheads getting joy out of his music), he's still right near the top on a professional level. To me, any vocalist who can play an instrument whilst singing without fucking up either task has a great amount of skill but the fact that James can shred out some pretty fucking heavy riffs from Metallica's back catalogue whilst belting out each line is something I will always admire. James Hetfield is also notable for being one of many singers to be affected by puberty in the 90s, as the rage filled vocals from Metallica's first four Thrash albums gradually sunk into a deeper (but still powerful) tone. However, if you listen to live footage, it's clear that James still has the ability to keep up with his past self so at the very least, he's not the worst member of his own band...aaaand that's all I'm gonna say about that on this post!


9. Eddie Vedder

I'm usually the first to criticise vocalists with an acoustic guitar and stool on stage but I'll make an exception here

I'll admit, I wasn't sure if I was going to choose Eddie Vedder or Chris Cornell for this post. Whilst I like both vocalists a great deal, I think I had to give it to Eddie purely because I'd rather belt out Pearl Jam tracks than Soundgarden ones. Both vocalists have a similar 90s Grunge style to their voice but to me, Eddie's classic drones make for more pleasurable listening than Chris' passionate shouting. I also admire Eddie for adapting his voice with the band's sound from typical Grunge based vocals to modern Alternative ones without compromising the overall quality. There's something uniquely primal about some of his vocals in tracks like "Animal" and "Jeremy" that encapsulates exactly what Rock is about; releasing the beast. That's why Eddie's here!


10. Bruce Dickinson

Nearly made it to the end without mentioning Iron Maiden...but that was never gonna happen

If you've been keeping up with these Tenology posts so far, you'll know I've listed at least one member of Iron Maiden in each post so far and with bloody good reason. They are my number one favourite band and I firmly believe that each member brings their own skills to the table to create a unified, incredible sound. However, if you have to single out one driving force behind the band's success (and you don't know about Steve Harris), you'll probably pick Bruce Dickinson due to his operatic, screeching vocals that propelled the band away from the Punk sound they were dangerously close to solidifying with in their first two albums. Bruce has a supreme vocal range, great songwriting talents and knows how to be a top notch (if not slightly outspoken) frontman. Final cherry on top? The guy had throat cancer not long ago and kicked it right in the fucking cunt before releasing a brand new Iron Maiden studio album AND going on tour to promote it. Top bloke indeed.


So those are the ten vocalists I've selected but that's not to say there aren't other great vocalists who leapt to the front of my mind as I was thinking about great voices in the world of Rock/Metal. Here are some slightly fleshed out Honourable Mentions along with reasons why I didn't choose them to be listed up above.

Ronnie James Dio

No, this isn't Klaus Meine

Arguably the greatest voice in all of Metal and quite possibly one of the most talented, considering he's been in three iconic Rock/Metal bands (Rainbow, Black Sabbath, Dio) along with several smaller outfits. Out of the three main bands he's been a part of, I'd rate his tenure with Black Sabbath at number one simply because his vocals had all the power with none of the...hmmm, how should I put this...pomposity? There's something a bit ridiculous about some of his vocals in Rainbow and Dio tunes as if he took himself a little bit too seriously. It takes me out of the music when I hear him trying to vocally simulate the sound of a door slamming or shouting "NO! NO!" over and over again. He was a great vocalist but a little too absurd at times.


Chris Cornell

"Come at me, bruh"

I've already gone into a bit of detail about why I chose Eddie Vedder over Chris Cornell for the main list but come on, I couldn't just completely ignore him. I wrote a Rapid Fire post looking at three albums by three bands/projects Chris Cornell sung in after he died where I praised his voice and songwriting abilities as half the reason why Audioslave are worth listening to. The guy's influence is peppered throughout modern Rock (notably Shinedown) and similar to Anthony Kiedis, Chris' vocals are much better when he's singing softer songs. However, since I prefer Soundgarden to his solo work, I feel like I never got the best out of the guy based on what I've heard.


Brad Delp

Another great vocalist who took his own life

Boston definitely aren't one of my favourite bands but their debut is easily one of my all-time favourite albums. I've talked about why various times but I feel like I haven't really focused too much on Brad Delp's contributions to it. Sure, he had a sweet sounding voice but there's some genuine talent buried beneath the music. Take "More Than A Feeling" and that section before the final chorus where Brad hits that high "slipped away"; that's fucking impressive, especially with how long he holds it for. The main reason he isn't in the list above is simply that I feel other vocalists deserved it more with their wider selection of records and talents that were showcased, but I still think Brad Delp deserves a shout out here.


Grace Slick

Get it? "GRACE this list"???

Similar to Fleetwood Mac, Jefferson Airplane also had shared vocalist duties that most people will probably agree was easily dominated by the sheer talent of the female artist. However, whilst Stevie Nicks rocked the mystic, Classic Rock oriented vocals, Grace Slick locked down the psychedelic style and I wouldn't be surprised to learn that she helped inspire Stevie's stage presence too. Overall, I couldn't deny that Stevie was the superior vocalist but tracks like "White Rabbit", "Somebody To Love", "Law Man" and even backing vocals in "Volunteers" showcase an incredible voice at work, I felt like this voice didn't quite match some of the others in the list above.


Roger Taylor

Just give me a paragraph to explain myself, that's all I ask!

Yeah, I picked one of the OTHER band members who shared vocalist duties from Queen. There are two reasons for this. 1) We all know Freddie Mercury was an amazing vocalist, probably one of (if not THE) best in this list. I didn't feel the need to place him here when I felt like other vocalists deserved more recognition or my personal take on why they're great although yes, I do think Freddie was a fantastic frontman. 2) Some of you may not know that Queen's drummer, Roger Taylor, took the helm for a few tracks and did a pretty fucking great job. Songs like "I'm In Love With My Car", "Rock It (Prime Jive)", "More Of That Jazz" and (my personal favourite) "Fight From The Inside" all feature Roger on lead vocals and whilst Freddie will always be instantly more recognisable as a vocalist and frontman, I personally believe Roger successfully held his own and provided a more aggressive side to the Rock band that Freddie could never quite pull off to the same degree. However, since Roger isn't exactly the band's main vocalist in the same way that everyone else in the post is, I felt Honourable Mention was the best place to shine a light on Roger Taylor's vocal work.


So that's my list of valuable vocalists in Rock/Metal! I hope you enjoyed reading and waiting two months at a time for each Tenology related to band members. Next year, I might revisit these in some format but for now, all four key band members have been accounted for!
COMING SOON: I dunno, maybe something Christmassy. Probably not though.