Here Is The News: 2019 Edition, part 2

I hope you enjoyed part one of the news update for this year.
Better buckle up for part two!

VAN HALEN CONTINUE TO SLOWLY VANISH FROM EXISTENCE

Hard Rock icons Van Halen are beginning to fade away from reality, starting with guitarist Eddie Van Halen. Scientists aren't certain why but they have calculated that if something isn't done soon, all traces of Van Halen will have completely vanished without a trace within the next four years.

The strange phenomenon is believed to have begun many years ago but it only became apparent when Eddie Van Halen was asked to take a photograph of a Tool fan at one of their concerts. It was strange enough when the fan didn't recognise one of the greatest living guitarists of all time but things became truly bizarre after a second photo was taken of Eddie at the show. Whilst the photo came out perfectly normal on the night, weeks later the image of Eddie had begun to fade until he was completely invisible.

The rest of the band were unavailable for comment, presumably due to fading away shortly after Eddie. This was confirmed after a television appearance by Pop star and Baskin Robbins Flavour Of The Month, Billie Eilish, on Jimmy Kimmel's chat show. When asked about her opinion on the 80s Hard Rockers, Billie had no recollection of the band's existence at all. Naturally, audience members were shocked as her knowledge gap clearly wasn't due to her age and lack of interest in the genre of music; it must've been something more sinister.

Whilst pictures and evidence of Sammy Hagar's stint with the band seem unaffected by the temporal anomaly, all evidence of the band's golden years with David Lee Roth are slowly being erased. Fans believe David Lee Roth was aware of this as one of the last things he publicly said before disappearing was that he believed Van Halen were "finished". After some digging, Internet conspiracy theorists believe the answer lies in how guitarist Eddie Van Halen frequently used to put a guitar pick made of plutonium in his mouth during gigs, although all evidence of this has since been erased from the timeline.

Quantum physicist Dr. Emmett Brown stated "This wouldn't be the first time someone has meddled with the timeline and caused disastrous results. With the band vanishing from our reality, there's no telling what the outcome might be; future bands inspired by Van Halen could vanish, films using the song "Jump" could be forced to use some other kind of inspiring 80s anthem, it could be catastrophic. This is pretty heavy indeed".

NITA STRAUSS IS A WOMAN

Nita Strauss, solo artist and guitarist for Alice Cooper, is a woman who can actually play guitar. This revelation has come as a surprise to many fans of Rock and Metal who spent their entire lives believing women were incapable of producing anything other than babies, let alone top quality riffs and face melting solos. However, Nita Strauss has led the charge in reminding people that woman have fingers.

In a recent television interview promoting her second solo album and brand new signature guitar, Nita (pictured left) commented once again on how happy she is to be doing something for women all over the world. "It's so great to be inspiring women to play guitar and write Rock music. Women like me can do anything we put our minds to and I think it's important that people look at me and see that you don't have to be a man to play guitar; you can also be a blond, attractive woman too". Nita echoed her sentiments on several radio appearances that followed where she repeatedly stated that she's "not just a pretty face" but also someone "who grew up with Rock music from an early age" before naming every single chord and note she can play on the guitar.

Nita has also launched her own YouTube channel called Nita Talks where she posts weekly videos about the struggles of being the only woman in Rock/Metal who can play guitar and talk about how tough it is being the only woman in Rock/Metal. Her videos have received praise from band members, peers and Rock/Metal fans all over the world, calling them "eye-opening" and "much needed in this time of gender stereotype uncertainty".

Aside from being the only woman in all of recorded history to play guitar for a Rock band, Nita Strauss has also demonstrated that it's possible to be a female musician and have other interests too. Nita has championed campaigns related to health & fitness as well as encouraging young generations of men (and women!) to pick up musical instruments. "It's important to show people how talented you are" she stated after being asked about her opinion on climate change.

Nita Strauss is currently on tour with Alice Cooper and will be widely promoting her solo albums at intimate venues across America. She's also expected to be giving a talk about how great it is to hear women following her lead and getting into recording Rock/Metal music in an upcoming public appearance (the appearance is a corporate awards show for cutlery manufacturers but it's expected that she'll give the talk regardless).

ROYAL BLOOD CRUISE DOESN'T GO AS PLANNED

Once beloved Rock band Royal Blood have suffered another catastrophic blow to their popularity after a cruise trip planned for themselves and fans went disastrously wrong. Much like many other Rock and for some reason Metal bands at the moment, Royal Blood decided to invite their most wealthy fans to party with them on a cruise ship for a week. However, nobody could have foreseen what happened next.

After partnering with Royal Caribbean Cruises, Royal Blood sold tickets for the Royal Blood Royal Cruise at the end of last year, thinking it would show the world that they weren't just lucky when they released their debut album several years ago. The cruise (affectionately known as the band's Royal Baby) was meant to be an opportunity for both the band and fans to have a great time with sun, sea and simplistic bass melodies made to sound like heavier Rock songs. Things were going well for the first couple of days but problems began after the ship's crew realised they didn't have enough fuel to last the entire journey.

Not long after setting off, Royal Blood were dead in the water. Since most of the fans and record producers aboard the cruise had eaten most of the free shrimp and drunk most of the alcohol the band supplied, passengers had to reuse a lot of old food and drink to keep themselves from becoming dehydrated. Unfortunately, there's only so long you can provide the same material before fans demand something new and exciting to prevent them from losing interest or, in this case, dying.

After trying to recreate the fuel that initially powered the ship from expensive clothing from the record producers and a bunch of cash lying about, it became clear that Royal Blood (pictured right) would have to do more to get the ship moving again, hence the band's plea online for suggestions to give the ship some life again. After checking their Royal Mail, Royal Blood found several helpful suggestions from their fans at home, collectively known as the Royal Family. One of which was to just do the same thing they did when getting fuel in the first place, which was just enough to get them moving again.

After a gruelling three weeks, the Royal Blood Royal Cruise arrived back home with half as many passengers and a smell that would take months of intense cleaning to get the ship back to normal again. When asked about whether the band would attempt anything like this again, Royal Blood's spokesperson stated "The future is uncertain for Royal Blood but one thing we do know is that this cruise was an absolute Royal Fuckup".

DETECTIVE STUMPED BY STRING OF RED HOT CHILI PEPPERS MYSTERIES

A Private Eye tasked with investigating all the latest decisions made by popular Rock bands has had to throw in the towel after revealing that he's absolutely stumped by the recent actions of Alternative Funk rockers Red Hot Chili Peppers. Detective Ryan Shmuckers was hired by a Kickstarter campaign to identify what the band were playing at but has sadly revealed that he's made no progress in the two years since he was hired.

Detective Shmuckers was first hired in 2017 to investigate why a Rock band from America would choose to hire a Pop producer (Danger Mouse, pictured left) to help create their 11th studio album. Ryan posted on his work Tumblr account that after looking into how the band's last album before The Getaway was met with mixed to negative responses, he just couldn't figure out why a Rock band would want someone known for producing commercially successful Pop albums to work with them over 30 years after they first started making Rock music. He described the case as "quite possibly unsolvable by even the greatest detectives of our time".

Shmuckers was also asked to investigate similar cases as to why bands with integrity like Foo Fighters and Queens Of The Stone Age would ask well known Pop producers to make their albums. "It's almost as if there's something a Pop music producer can bring to the table when it comes to releasing records that a typical Rock producer might not be able to provide as much. Some kind of significant factor when it comes to making music nowadays...but I can't for the life of me figure out what".

Much like the average person after listening to "Uptown Funk", the plot became even thicker after it was recently announced that guitarist John Frusciante was returning to the band. Detective Shmuckers looked into why the guitarist who previously left the band would want to return after the success of The Getaway two years ago. "It seems as though the same missing ingredient that explains why these modern Rock bands are getting Pop producers holds the key behind John's return. If only I or anyone else could figure out what that is".

Detective Shmuckers is going to keep looking into this for a few more months before deciding whether he should hand over the case to someone more talented. However, if Ryan Shmuckers can't find the connection between bands with dwindling popularity and the same bands hiring Pop producers who are known for making music that gets a lot of radio play, he just might bust this thing wide open.

TOP "TOP 10 ALBUMS OF THE 2010S" LISTS REVEALED

Now that we've reached the end of the 2010s, it's time for the most important piece of cultural preservation since the surge in time capsules at the start of the new millennium: Top 10 Albums Of The 2010s lists. Naturally, everyone has an opinion on which albums were better than others and thanks to the convenience of digital distribution, everyone has to read them whether they like it or not.

The list contains all the standard music websites from the pretentious choices of Pitchfork to the irrelevant opinions of Rolling Stone but there are still a few surprises in there, such as the contrarian ramblings of some Indie music blogs and totally unbiased & well thought out views of Metal forums. Whilst the list doesn't contain any numeric ranking of superiority, presumably to avoid offending people by suggesting the sound waves they get emotional pleasure out of aren't as good as others, it would appear that the lists at the start and end are regarded as the best due to the detail given to their descriptions.

Albums selected in each of these lists range from contemporary Pop to edgy contemporary Pop with some Hip Hop scattered about to show readers how forward thinking and open to different musical genres the list's authors are. Naturally Kanye West and David Bowie are in the list because smart people listen to those albums and it's important for readers to know how smart the writers are but that's not all. There's also Taylor Swift, Adele and Lana Del Rey because the best thing about music is everyone has to agree on what's considered good; in this case, it's depressing piano-driven dirge from physically attractive yet inexplicably romantically unhappy women.

Once again, Rock and Metal music is absent from the majority of lists apart from a few joyless experiences that happen to feature guitar such as whatever Arcade Fire shat out near the start of the decade. However, a few specialist websites decided to focus on Top Rock Albums when compiling their lists. Not only that but they decided to cast the net so wide with their selection that utter shite released throughout the 2010s like Rock Or Bust - AC/DC and ...Like Clockwork - Queens Of The Stone Age made the cut over records that weren't tired or full of themselves.

Regardless of what some trendy tosspot or opinionated blogger thinks, the important thing is that listeners continue to support the things they get joy from and express negative thoughts about overrated material in a way that doesn't sound like them getting mad for the sake of it. To anyone out there thinking of making their own lists, I wish you good luck and a gentle reminder that just because you really liked something you heard in the last couple of years, that doesn't mean it's as good as something released in 2012...unless it's Prequelle - Ghost.


That's all for this blog for the year and indeed decade! I'll be back in January with some posts about stuff from 2019 and maybe a couple of random bits & bobs too.
Until then, have a Happy New Year!

Tenology: Songs That Would Make Great Rock/Metal Covers

Sometimes, you'll hear a Rock or Pop song and think "Damn, that's good but it would sound so much better by a different band/in a different style". Well, here are ten cases where I thought exactly that! In the first of this week's blog posts, I'll be writing about ten songs that I believe would sound even better if tackled by another set of musicians, whether that means they'd faithfully record a rendition of the track with their signature sound OR they'd completely rebuild the foundations of the song from the ground up in a brand new style.
The songs I've picked to be covered by different bands come from a variety of genres so I'm not limiting the originals to JUST Rock or Pop. The cover versions will be Rock or Metal but I'm hoping at the very least, this post will introduce some viewers to a new way of thinking about music, potentially giving them more joy from hearing songs as they imagine riffs and melodies played on different instruments or with a new vocalist behind the mic.

It should go without saying that this is entirely based around my opinion and that at the time of writing this blog, none of these covers actually exist. This is a purely hypothetical post; a musical thought experiment that you may or may not agree with that is in no way meant to shit all over the original songs UNLESS I state otherwise. As a result, I might include covering bands that are no longer recording music or have had new members join that don't necessarily represent the sound that I had in mind when thinking about them covering certain songs. To make things easier, I've included a Spotify playlist of the original songs and examples of music by different bands that have been responsible for my opinions here at the bottom of this post which you can listen to once the sound of me forcefully scraping the bottom of the barrel has passed.

1. "Jesus He Knows Me" - Avenged Sevenfold
Original by Genesis (1991)

I don't mind the music of Avenged Sevenfold; to me, they're a serviceable modern Heavy Metal band with a few belters and a lot of angsty crap for teens BUT some of their bigger, louder hits with double bass drumming and furious guitar solos are great. To me, "Jesus He Knows Me" is a good Pop Rock song with a catchy melody but a little too light to enjoy to the max. Genesis did a fine job of gathering all the materials; they wrote some decent lyrics, played great melodies that suit the song well and did the best they could. HOWEVER, what the song needs is a more aggressive sound to really drive home the "fuck you" subtext the lyrics contain in their damning take on evangelical con artists.
I've always wanted to hear a Heavy Metal cover of this track with double bass and more complex guitar work to keep the momentum of the song going and I feel that Avenged Sevenfold could do a fine job of that (so could Disturbed, but they've already done a Metal cover of Genesis). Plus, I reckon the abrasive sound of M. Shadows' voice would fit into the vocal melody of this song quite well; it's not a challenging track to sing so it doesn't require a vocalist capable of falsetto or long sustained lines, just one who can carry a tune. All in all, I think an Avenged Sevenfold cover that maintains and then enhances the energy from the original could be awesome, so long as they're not TOO faithful to the point that they daren't add any guitar solos or frills.


2. "Love Lies Bleeding" - Rush
Original by Elton John (1973)

NOTE: If you're listening to this on the Spotify player, you'll need to skip to around about 5:36 to hear "Love Lies Bleeding"; you don't need to bother with "Funeral For A Friend".
This is one that I may need to rethink as to whether it'd be "better" than the original but I'd still be very interested in hearing Rush tackle this cracking Elton song, especially since the original Elton John track has many elements that are typical of your standard Rush track. The guitar tone sounds pretty damn similar to Lifeson's, the active bass screams Geddy Lee and I can imagine Geddy's voice, albeit adapted slightly to suit his vocal style.
The only thing that stops me from thinking this is cover would be a surefire success is the use of piano. Rush have definitely been known for using keys in their music (fuckin' "Tom Sawyer", anyone?) but to me, Rush are more synth and less piano. However, the piano solo could very easily be played on acoustic guitar, something Rush have done MANY times. Combine that acoustic solo with the full electric sound of Lifeson unchained (especially during the outro) and you may have a damn fine cover. For more evidence that this Glam Rock song would make a fine Prog Rock cover, seek out the Dream Theater cover of the same song.


3. "Oh Well (Part One)" - The Who
Original by Fleetwood Mac (1969)

This song has had a shitload of cover versions over the years but to me, there has yet to be a perfect version of this song. Even the Fleetwood Mac original has a tepid solo that sounds great the first couple of times but would be much better with more energy behind it. To me, the perfect version of this song must have the following features: clean acoustic guitar riffs in the intro, tight vocal melodies (none of that loose, freeform shit that some Blues artists do; keep the momentum going), heavy percussion during the breakdown, sweet licks during the electric guitar solo, MAYBE a second solo at the end instead of Part 2. To this date, I have yet to find a cover version that satisfies all of those criteria. So who do I think is capable of rising to the challenge? I don't know. Who do I think COULD have risen to the challenge before they lost their magic? The Who...or Led Zeppelin, but let's say The Who for now.
They've proven that they can play clean acoustic guitar riffs with songs like "Pinball Wizard" and "Behind Blue Eyes", Daltry and Townshend have demonstrated tight vocal performances across their back catalogue, Keith Moon knows how to make an entrance when appropriate and "Young Man Blues" from their Live At Leeds record shows they know how to play a kickass breakdown with plenty of great solos/riffs. Back in their prime, The Who could've blown this song out of the water but sadly, I doubt we'll ever get a perfect version of this song. At least we've had some great attempts by bands like Aerosmith, Tom Petty The Rockets and even The Royal Philharmonic Orchestra which, to me, arguably comes the closest.


4. "Brown Sugar" - Thin Lizzy
Original by The Rolling Stones (1971)

OK, I know for a fact that this would've been amazing. Much like everything The Rolling Stones released after 1970, "Brown Sugar" suffers from sounding bland and slow compared to Rock released around that time. However, the song has a great riff and catchy melodies, just played in the most bland possible way. This got me thinking about another song with fine riffs that was played in a boring, tiresome way; "Rosalie" - Bob Seger. If you've never heard his original version of that song, don't bother. It sucks. Even his live versions suck. Fortunately, a little Irish band named Thin Lizzy took the song and covered it for their Fighting album. Granted their studio version wasn't amazing either but when they played it live, as recorded for the Live And Dangerous record, my God. It was fan-bloody-tastic!
They sped up the tempo, added some fun little solos and brought the fucking fire. Lynott's voice sounds incredible too, easily worthy of carrying Bob Seger's lyrics. Now imagine them, on the same tour on the same stage, belting out a rendition of "Brown Sugar". Slightly sped up, heavier riffing, an actual vocalist who can sing performing instead of Mick Jagger, it would be better in every single way. But no, let's keep listening to the Rolling Stones version instead of a Rock song that actually, ya know, rocks. Woooooooooo bland sugar.


5. "Hello" - Shinedown
Original by Adele (2015)

I've said in the past that Chris Cornell could've sung an amazing cover of this track similar to the Disturbed cover of "The Sound Of Silence". However, that ain't happening until we can clone him from hair samples and lizards to fill in missing genetic details so it's time to find an alternative; a band that can bring the thunder with a vocalist who sounds sort of like Chris Cornell. Oh, hey, a band like that happens to exist! They're called Shinedown and yeah, they'd also do a great job with this song. Shinedown have shown that they can belt out Cornellian vocals ("Heroes", "Black Cadillac") but also take some time out to record sensitive, emotionally driven tracks that aren't really in the Rock genre ("Misfits", "Through The Ghost").
The main thing the cover would need is a strong vocal performance. The rest of the band can basically take the day off whilst Brent Smith does his work, although the piano could be covered with muted guitar chords...or just piano. I'm not certain if Shinedown's cover would be "better" than the original but I'd still give it a listen, provided Brent doesn't phone it in. This song would be a great opportunity for him to push himself, as I can't recall a softer Shinedown song where he really pushes himself to reach similar emotional heights that Adele does. However, based on their cover of "Simple Man" - Lynyrd Skynyrd, I don't think it'll be an impossible feat. Interestingly enough, Shinedown have actually covered "Someone Like You" - Adele in live concerts before!


6. "The Moon Upstairs" - Poison
Original by Mott The Hoople (1971)

Mott The Hoople are largely known for their Glam Rock singles such as "All The Young Dudes" and "Roll Away The Stone" released around the end of the band's career. However, before David Bowie got involved, Mott The Hoople were mostly a standard 70s Hard/Classic Rock outfit with some heavy tracks like "The Moon Upstairs". It's a good song but the mix is a little weak and the fuzzy guitar/organ combo means it's difficult to appreciate the riff when it sounds like it was recorded in a pub instead of a recording studio. A good cover of this song would keep the structure the same but basically have each instrument and vocal melody sound a lot clearer, so a band with decent production values would do a solid job.
So why Poison instead of any other Hard Rock/(Hair) Metal band? Even though Poison have been ridiculed lately for their lame music and weak guitarist, their covers album Poison'd has some solid covers of 70s/80s Rock tracks, each with clearer guitar without pissing all over the original material. I feel like Poison could do this song justice both musically and vocally, as I can imagine hearing the song's riffs played in their style and it doesn't sound bad. Of course, there are probably lesser known bands that would do an excellent job at covering this song but I wouldn't bet against Poison doing a solid job too.


7. "Don't Stop Believin'" - Billy Idol
Original by Journey (1981)

I've gone on record as saying that I think this song is overrated as fuck, even if that is a slightly overrated opinion. I do not get why everybody adores this song when it's easily one of Journey's weaker Rock songs BUT I will concede that when sped up slightly, "Don't Stop Believin'" becomes pretty awesome (just like "Night Moves" - Bob Seger and "Man In The Box" - Alice In Chains). I would love a cover version of this song slightly sped up but with similar guitar tones, which got me thinking about other 80s Rock artists who could take this song on...like Billy Idol.
Imagine a version of "Don't Stop Believin'" but with a little more of a "Rebel Yell" twist. Slightly faster and with softer vocals from Mr Idol during the verses. I'll admit that the chorus might sound weaker due to Idol's rougher singing compared to Steve Perry's but everything else from the guitar solos to the build up throughout the song would be great. I'm not sure if the piano intro would be better played on keyboard or a special guitar tone but I would still love to hear this version one day, especially since this is easily more likely than most of the others in this list.


8. "Billie Jean" - Ozzy Osbourne
Original by Michael Jackson (1982)

This blog post probably should've featured more Pop songs reimagined as Rock/Metal covers but since I'm not as familiar with Pop that's in desperate need of reworking compared to Rock, this is what you've got. However, I can say with certainty that "Billie Jean" would be a great Metal song if handled properly. Hell, many Rock/Metal bands have tried to record heavier versions of this song (and I'm not counting the terrible Chris Cornell version) and they're all relatively decent. However, I reckon that 90s era Ozzy could've rocked this song in a way none of those bands could've even touched.
Imagine the opening bass on rhythm guitar with subdued bass underneath, maybe some keys/synth accompaniments underneath. Then you've got the string melody played on lead guitar before Ozzy's vocals come in. It might not have been as tight as MJ's originals but you know the sound of Ozzy's voice with each lyric dripping out of his lips would've sounded pretty cool. Then we get to the chorus, which I believe would've translated really well into Ozzy's proper singing voice. Songs like "Miracle Man" and "Perry Mason" are proof that Ozzy could sing on occasion and when you factor in the inevitable guitar solo this cover would've got? I'll say no more.


9. "Antisocial" - Samson
Original by Trust (1980)

If you're not familiar with "Antisocial" - Trust, it's a French Hard Rock/Heavy Metal song from the 80s by the band that Iron Maiden drummer Nicko McBrain used to be in. Most people will know the French original by Trust or the English cover by Anthrax (which is a little too Punk/Thrash to me) but Trust actually recorded one with English lyrics. Same music, just without all the French words...and it sucks. Well, the chorus does. Their vocals are terrible enough to ruin the otherwise decent verses and great music. With that in mind, we need a cover of this song with music as close as possible to the original and vocals by someone who can sing them properly IN ENGLISH (although the French version is fine after a few listens).
Enter Samson! Their music sounds kinda close to Trust (particularly the guitar tones in songs like "Hunted" and "Riding With The Angels") but with a different member of Iron Maiden involved. Bruce Dickinson was with Samson before he joined Iron Maiden, channelling his best Ian Gillan imitation for most of their hits. I can imagine Bruce kicking ass covering the vocals for this song before he got into his operatic phase. Then again, I think Bruce could do justice to most songs he covered, regardless of whether it's with Iron Maiden, Samson or his solo career.


10. "Bust A Move" - Red Hot Chili Peppers
Original by Young MC (1989)

The last song in the list and there's actually some justice behind this choice, which I'll explain in a bit. Most of you will probably know the Young MC track but did you know that the bassline throughout the track was written and played by RHCP bassist Flea? You did? Well did you also know that he got paid a pathetic amount of money for his work on the song too, even claiming that the record label lied about how much work he actually did when it came to writing and playing the riff? My point is that even though the original will be more well known, I think it'd be pretty good to hear the Red Hot Chili Peppers play a Funk Rock version with Flea on bass again.
However, ignoring all the financial bullshit about this track, I reckon mid-90s RHCP would do a damn fine job of covering it. Their cover of "Love Rollercoaster" in Alt-Funk style was decent and tracks like "Give It Away" prove that the band aren't against quickfire rap-like vocals. Naturally, it wouldn't be a serious cover like some of these but then, neither are many other RHCP covers.


So that's it. I'm sure there are songs I've missed that would make amazing covers but that's what you're here for! If there are Pop/Rock/Metal songs that you think would make sweet Rock/Metal covers, let me know via Twitter or the comment section.
COMING SOON: More video game posts and (hopefully soon) album reviews.
Oh, and here's the Spotify playlist!

Tenology: Brilliant Bassists In Rock/Metal

Continuing my series of Tenology posts looking at skilled musicians, this week's list focuses on bass players who stand out as being particularly memorable or talented at their profession. The bassline in your typical Rock song is usually fairly straightforward, designed to add a bit of extra weight to the music by thudding out a steady rhythm without really contributing anything special. However, some artists choose to shoot for the stars, boasting the technical skill to play bass solos or play bass whilst simultaneously singing.
This opinion based list will look at ten bassists whom I admire for doing more than just...well, playing the bass. As always, this isn't a "Top 10 Greatest/Favourite Bass Players" piece; it's just a sample of ten bassists I would personally rate highly. If there are any bass players that you believe deserve to be here over others who are absent from this list, feel free to let me know in the comments or via Twitter although keep in mind that their absence doesn't necessarily mean I think they're not worthy of recognition.


1. Billy Sheehan

This is the guy The Beatles sung about in "With A Little Help From My Friends"...don't look it up

Whilst there are some famous examples of great bassists who'll be making an appearance a bit later on in the list, Billy Sheehan's technical skill probably surpasses every entry on this list combined. His tapping techniques and all-round versatility even rival most guitarists but sadly, he's one of those musicians who's immense talent never fully made it to the studio. Sure, you've got songs like "Addicted To That Rush" - Mr. Big with exceptional bass but most of Mr Big's better known tracks are usually driven by guitar or vocals. Compare this to live covers of "Burn" - Deep Purple and "Baba O'Riley" - The Who where Billy flawlessly shreds out the organ and violin solos respectively and you'll ask yourself why they never truly utilised his skills off-stage.


2. Cliff Burton

The first of several great bassists who are sadly no longer with us

Whilst Metallica songs are generally known for their epic guitar riffs and diminishing quality over time, their first three albums also contain tracks with surprisingly prominent bass. There's "Orion", a track named due to the spacey bass solo, "For Whom The Bell Tolls" with the creepy bass riff in the intro and of course "(Anesthesia)--Pulling Teeth", a four minute fuzzy bass solo off the debut that could damn near be confused for guitar if not for the vocal intro. Cliff also proved to be capable of keeping up with Hetfield and Hammett, matching and occasionally improving on their guitar riffs for most of their signature songs. Unfortunately, Cliff passed away in 1986 after the tour bus they were travelling in skidded out of control and crashed, crushing him in the process. His riffs may not have stood out in the same way as the guitar melodies but it's fair to say the band's music was never quite the same after his passing.


3. Steve Harris

Obligatory Iron Maiden

Steve's been regarded as the greatest bass player of all time and whilst I don't know if I'd personally agree with that, he definitely deserves a spot on this list. He's the soul of Iron Maiden, not just in his bass playing but in his songwriting and musical knowledge too. He's usually the driving force behind each musical decision the band has made and thankfully, he's still going strong to this date. Whilst Iron Maiden's success is down to a team effort rather than any one member of the band standing out, Steve's bass is always present among the guitars, adding the final puzzle piece to songs like "The Trooper" and "Run To The Hills" that wouldn't be complete without him.


4. Chris Squire

I could've used a picture of a younger Chris but come on, look at that fucking bass!

I'm not the biggest fan of Yes but if you listen to some of their better tracks, one thing's for certain; the bass stands out like a DVD in a game collection. Tracks like "Roundabout" and "Starship Trooper" contain basslines almost as complex as the guitar melodies and even though their Pop-Prog phase focused a bit more on the guitar hooks and vocals, you can still hear Chris keeping things steady. His aggressive, dynamic playing style has gone on to influence several of the bassists on this list and even though he sadly passed away in 2015, his work across all Yes albums lives on as a gold standard for Prog Rock (and indeed standard Rock) bassists for the rest of time.


5. Geezer Butler

Real name Terence Michael Joseph Matthew Mark Luke John Napoleon Ulysses Hank "Geezer" Butler

From one of Prog Rock's most influential bassists to Heavy Metal's, Geezer Butler is responsible for giving Black Sabbath the weight it needed to be one of the biggest Metal bands on the planet. His heavy riffs and lyrical influences ranging from religion to dystopian science fiction gave the band the apocalyptic doom vibe that would go on to form the cultural perception of Heavy Metal for years to come. Geezer stuck with Black Sabbath through the Dio years and took part in their recent farewell tour, also contributing to some of Ozzy Osbourne's solo albums in the 90s but nobody really cares about that. The main thing is his work with Black Sabbath, giving us excellent songs such as "Children Of The Grave", "War Pigs" and of course "N.I.B" to inspire generations of bassists for decades.


6. John Entwistle

The Who's secret weapon

Generally regarded as one of Rock's greatest bass players, John Entwistle truly knew how to turn bass up to 11. With full treble and thundering dynamics, every riff and lick laid down by John sounded like a distant roar and when he wanted to shred, boy could he shred. The most common example of his exceptional skills is probably "My Generation" with its iconic bass solo but tracks on the Live At Leeds album showcase his ability to keep up with Townshend and Moon on guitar and drums respectively. Once again, this incredible musician is no longer with us, dying in 2002 due to a drug overdose.


7. Geddy Lee

Give me some credit, I made it this far without mentioning him

The other great Prog Rock bassist on this list and probably the go-to example of everyone's favourite Rock bassist in general. Rush songs are known for their great bass melodies and Geddy's unique vocals that he flawlessly pulls off whilst playing the relatively complex basslines. Not only that but he's also responsible for the keyboard and synth for each track, something the band is equally reliant on for some of their signature hits. Songs like "Fly By Night" and "Tom Sawyer" showcase Geddy's supreme multi-tasking abilities whilst tracks such as "Freewill" and "YYZ" contain multiple bass solos, sometimes underneath the guitar one. He's probably one of my top bassists and there's a strong chance he's one of yours too.


8. John Deacon

For ages, I always confused John Deacon and Roger Taylor

When it comes to the best members of Queen, John Deacon tends to be at the bottom of most conventional rankings (especially when you consider Roger Taylor's vocal work on News Of The World, arguably providing better Hard Rock vocals than Freddie). However, when you actually listen to the bass in most Queen songs, there's a lot to be admired. It may not be technical or balanced with complex vocals but there's something to be said for simplistic yet permanently catchy basslines. Some of Queen's best known tracks like "Another One Bites The Dust" and "Under Pressure" are built entirely around John Deacon with the rest of the band members following his lead. Unfortunately, after Freddie Mercury's death and subsequent tribute show, John retired from music and hasn't played with Queen or been involved in any of their post-Freddie projects for about 20 years now. Fair play, I suppose.


9. John McVie

He's got it all, from the facial hair to the first name John

For the most part, this post has basically consisted of fairly obvious choices that you'd find populating the higher end of most great bass player lists. However, rather than going for one of the bigger Rock/Metal names that everyone already admires, I thought I'd dedicate a slot to classic Fleetwood Mac bassist, John McVie. He deserves a place for co-writing and performing on "The Chain" alone, a song containing one of the greatest bass riffs ever written, but he's also shown off his talents for other great Fleetwood Mac tracks too such as "Oh Well", "World Turning" and "Tusk". All in all, John's probably the most underrated bassist on this list so feel free to blast some Fleetwood Mac with the bass turned all the way up to show him some extra love.


10. Flea

"Flea? He's not Lemmy!"

As always, the last musician on the list is something a bit special. Flea (real name Michael Balzary) has played bass with the Red Hot Chili Peppers since their debut in 1984 and also acted in a few films such as The Big Lebowski and the Back To The Future sequels. However, his work as the RHCP bassist will always reign supreme as his blend of funky licks and heavy riffs have helped put the band on the musical map. You can always tell it's a RHCP song when you hear his soulful, often dominant bass melodies but if you want a few prime examples to check out over the course of their career...well, aside from practically every song they've ever written, I'd recommend "By The Way", "Higher Ground", "Soul To Squeeze", "Walkabout" and "Dreams Of A Samurai".


Even though these are ten bass players whom I've deemed worthy enough to focus specific paragraphs about, there are still some bassists that deserve honourable mentions:
Paul McCartney
John Myung
Phil Lynott
Lemmy
Every Funk bassist

Did I miss anyone out by focusing too much on big name bass players? Let me know who ranks on your personal list with some samples of their work to check out.

COMING SOON: The Salentino Cuts - UFO, an album review or showdown post; I haven't decided yet.

Tenology: Great Guitarists In Rock/Metal

Another post, another subject that it's taken me way too long to write about.
I've written about overrated trends in Rock/Metal that have included musicians but I've never actually dedicated a blog post to musicians I admire. In this post, I'll be looking at ten guitarists firmly planted in the Rock/Metal genre that may or may not be personal favourites of mine.
As always, I'm hesitant to say "MY TOP TEN FAVOURITE EVER GUITARISTS" because I feel like there are probably some guitarists out there that I'd rate highly if I knew more of their work. As it stands right now, these are just 10 guitar players whom I'd like to shine my own personal spotlight on. Some will probably be hailed as exceptional guitarists all over the web and others may not get the love they deserve but ultimately, it's all down to my opinion and any notable absences aren't a reflection of my opinion on those specific guitarists...except Randy Rhoads, he's deliberately left out.


1. Donald "Buck Dharma" Roeser

This is a good picture. Thanks for ruining it, gettyimages.

Despite the fact that I'm not a huge Blue Oyster Cult fan, Buck Dharma is probably my number one favourite guitarist due to his ability to create epic riffs, sweet solos and sing decent lead vocals too. Whilst his guitar playing doesn't stand out as much as guitarists with iconic sounds such as Brian May or Richie Blackmore, the band could boast some of the best riffs Rock has to offer thanks to this man. Songs such as "Cities On Flame With Rock And Roll" and "(Don't Fear) The Reaper" proved he could write amazing single-note riffs (much better than Joe Perry, in my opinion) whereas songs like "Godzilla" and "7 Screaming Diz-Busters" showcased his talent for guitar solos and Classic Rock shredding.


2. John Petrucci

You know he's serious because he's got a knee up

You could probably choose any Rock related forum with Dream Theater or John Petrucci involved and find at least one comment praising his work...and with good reason too! Whilst each member of the band is shit hot at their chosen instrument, Petrucci shoots the band into the stratosphere of awesome Rock thanks to his excellent playing. At the first listen, his solos may sound like bog standard shredding but unlike other guitarists who are so focused on complex scales/arpeggios that they forget to add soul (not saying a word), each melody is well crafted and incredibly well executed. However, Petrucci isn't afraid to let loose and as a result we get songs with epic riffs and blistering solos like "As I Am" and "Constant Motion".


3. Eddie Van Halen

That's the face he has to pull to stop it from melting

I've dedicated several blog posts to writing about the original lineup Van Halen albums and one of the strongest attributes from all of them is the fretwork of EVH (along with Lee Roth's vocals). He's often credited with inventing two handed guitar tapping but some guitarists were doing it long before Van Halen's debut came out. He did popularise the technique and fire it into the mainstream, inspiring future guitarists for decades to come, but none of them quite mastered the skill of iconic riffs and solos like EVH. Not only that but during the early years, Eddie wasn't afraid to challenge himself and adapt his sound with each album rather than coasting on one specific skill. He might be known for "Eruption" but to me, "Spanish Fly" is the stronger song.


4. Dave Murray

I should've posted some pics of guitarists in different positions

Iron Maiden have had many guitarists over the years but the only one to appear on every studio album (and my personal favourite) is Mr Dave Murray. Currently one of three six-string wielding amigos with the band, Dave's guitar playing can be recognised by the soft yet high pitched sound that you tend to hear in most Iron Maiden solos. Adrian might be the main driving force behind the band's great riffs but Dave's the one bringing the thunder in the solos. Again, I've written about all of the band's studio albums on the blog before but I couldn't write this post without mentioning my favourite guitarist from my favourite band.


5. Gary Rossington

This man's single-handedly keeping Lynyrd Skynyrd alive

One of the founding and the last original member of Lynyrd Skynyrd, known for his slide guitar and clean sound. Lynyrd Skynyrd might only be known for a handful of songs but those songs have some damn fine guitar. "Sweet Home Alabama" has one of Rock's greatest riffs and I don't need to tell you about how fucking awesome the "Free Bird" is again. The band's back catalogue is full of great tunes containing excellent riffs ("Simple Man", "The Needle And The Spoon") and some underrated solos ("Call Me The Breeze", "I Know A Little") but to me, Rossington really showed off his talents on the band's exceptional live album, One More From The Road, where he took the band's existing material and turned them up to 11.


6. Tom Morello

I'm no expert but I'm pretty sure he's flipping off some dick in the audience

In my recent post on Audioslave's debut album, I praised Chris Cornell's vocals and Tom Morello's guitar playing. In a not so recent post, I wrote about crap songs saved by one standout amazing feature that I affectionately named after this guitarist in reference to his role in the band Rage Against The Machine. Without Tom, they'd be another mediocre modern Metal outfit but his playing amplifies the rest of the band. His riffs are heavy and his solos sound unlike any other guitarist due to his unique playing styles (the same can be said for certain Audioslave tracks like "Gasoline"). Now and then, he brought out the big guns in RATM songs like "Know Your Enemy" but even if he isn't showing off with great solos, one thing you can count on with his playing is that it rarely (if at all) sounds boring.


7. Dave Mustaine

Said it before & I'll say it again; has anyone ever seen this guy and Donald Trump in the same room?

Dave Mustaine's made waves in the past with some questionable political opinions (many of them being featured in Megadeth's lyrics) but as a guitarist, this guy fucking gets. it. done. He may not have been responsible for one of my favourite solos ("Tornado Of Souls" was largely written by Marty Friedman, another great guitarist who nearly made it to this list) but he was responsible for popularising the spider chord playing style you frequently hear in Thrash Metal. Plus, for all the rage and dickishness Mustaine showed in his early days, to create a band as great as Megadeth out of it with a massive collection of great Metal tunes is quite impressive. Just a shame he has the appearance of a dad who's used all his three genie wishes to become a Rock star.


8. John Frusciante

Pretty sure the photographer captured the exact moment John levelled up

Up until 2009, John was the guitarist for Red Hot Chili Peppers but that wasn't his first time leaving the band. His clean tone is synonymous with the band's sound and whilst the band's riffs/solos are fairly straightforward, John was a clear believer in less is more. I've said before on the blog that I prefer softer Alternative RHCP songs to heavier Funk ones and that's mostly down to John's playing style. However, I will say that songs like "Suck My Kiss" and "Can't Stop" that ARE heavy tracks by the band are only as good as they are because of their solos and riffs respectively, and that's all John. That's all I really need to say on the guy but I'd be remiss if I didn't highlight one song in particular; "Snow ((Hey Oh))". A friend of mine who's seen them live reported that John played the riff perfectly without looping it all the way through, which is fucking impressive. It's not an easy riff to master and John makes it sound like "Smoke On The Water", so hats off to the man!


9. Eric Johnson

It was a choice between Johnson, Satriani, Vai or Malmsteen...I think I made the right choice

To me, one of the strongest attributes a musician can have is to be able to alert everyone to their presence with only a few notes. Eric Johnson has that absolutely nailed. His music always sounds so dreamy and magical, even when he's shredding away. He might not be as technically skilled as virtuosos such as Satriani or Batio but it's not all about how fast you can play. To me, Johnson's music is stronger on the whole than most of the music of those artists because of his unique melodies and combination of different styles to make exceptional Rock music. He's also pretty adept at other instruments too, although he's here entirely because of his guitar playing.


10. Slash

Be honest, how many of you saw this coming?

The ultimate image of a badass Rock guitarist. I don't know what your opinion of Slash is but I've seen several sources claiming he's overrated. I would agree if I hadn't seen him live but watching him flawlessly bust out an 18 minute solo during "Rocket Queen" in front of me eyes without showing any signs of fatigue thirty years after his "peak" performances shows stamina that I'd like to see any of those naysayers match. Not just that but come on, his riffs are fucking great. Guns N' Roses stuff is what he's known for (even if I personally think the "Paradise City" riff sounds a little janky) but his solo material contains way better guitar songs, as you'd expect. Definitely better Hard Rock albums than anything GNR put out; it's just a shame him and Axl patched it up, as he's genuinely much better without that shit awful excuse for a vocalist.


Do you agree with my list? Again, this isn't a Top 10 list and I know there are other amazing guitarists out there that are absent and may appear on a sequel to this post if I feel like writing one but who would you rank highly in your own personal collection of great guitarists and why?
In future, I plan on writing similar posts for bassists, drummers and vocalists too so if you have anyone you believe deserves some love, let me know here or via Twitter.

Tenology: My Ten Favourite Rock/Metal Songs Of 2016

Finally, we're here. The end of 2016 and about fucking time too. From celebrity deaths to celebrity presidents, it's been an absolute shitshow that all seemed to start with Lemmy's death at the end of last year.
However, despite the overwhelming negatives about 2016, there have been some positives to take away such as a collection of decent Rock/Metal songs that I intend to list here. On previous Tenology posts celebrating the year's music, I don't categorise songs in order of greatness; instead, I just list ten of my personal favourite songs from the year in random order. Since there's no reason to change the formula, that's exactly what I'll be doing this year too!
It's also worth noting that these songs have been chosen based entirely on my opinion, not how well they charted or fared among Rock/Metal fans. If I wanted to write about the "best" songs of the year, I'd spend the whole post wanking off about how amazing Beyonce and Radiohead are. But fuck that, right? Here are 10 songs I liked!


1. "The Getaway" - Red Hot Chili Peppers

If you cast your mind back to July (or click this link and spend a couple of minutes reading the post), you may recall me reviewing The Getaway - Red Hot Chili Peppers and talking about how much I loved this album. It's probably joint-first for my album of the year along with Dystopia - Megadeth and this album opener/title track is a solid reason why. It sounds like classic RHCP but at the same time doesn't feel like the band going through the motions, partly due to Josh Klinghoffer picking up the strings from John Frusciante. Great tune!


2. "Breathing Lightning" - Anthrax

If your mind hasn't returned from July yet (or you got curious and followed this link), you may ALSO recall me briefly writing about the new Anthrax album, For All Kings. Despite not really enjoying it, I did love this song and would recommend it if you like Heavy Metal over the usual Thrash stuff Anthrax is known for. Thankfully, there are some single edits of the song that don't have the shitty instrumental reprise at the end so if you want to buy the track, search for that version instead of the six minute one.


3. "Let It Begin" - The Treatment

Aha, a new track! I've mentioned The Treatment before on a previous Tenology post celebrating 2014's music but this song is stronger than "The Outlaw". It's still another uncompromising Hard Rock track with epic riffs and a catchy chorus by a band who seem to be happy in the ass-kicking-Rock sector of the industry so what's not to like? In a year literally plagued with death and despair, sometimes you need a good Hard Rock track to blast out loud and this song fits the bill nicely.


4. "Moth Into Flame" - Metallica

Back to old tracks again. I liked Metallica's new album and there were definitely some solid contenders on there for this post. However, there was only one track that I knew deserved to be on the main list without a doubt; "Moth Into Flame". Unlike "Hardwired" and "Atlas, Rise!", it contains all the hallmarks of a top quality Metallica song without sounding repetitive or losing too much energy throughout the track. It should've been the lead single from the album as it triumphantly declares "We're fucken back!" much more heroically than the album's title track.


5. "At War With The World" - Primal Fear

I haven't actually discussed Rulebreaker - Primal Fear on the blog yet but if you haven't listened to it, it's a pretty awesome Metal album. Granted there's not much variety on it but if you want pure Heavy Metal, you get exactly that. There were several songs I could've picked for this list but my personal favourite is probably this one due to the steady rhythm and epic chorus. Seriously though, if you like Heavy Metal, seek out Rulebreaker - Primal Fear.


6. "Breakin' Outta Hell" - Airbourne

A track so good, I've discussed it twice; once in an album review, once in a taster session. Basically, similar to "Let It Begin", it's a heavy Hard Rock song by a band that are masters of awesome singles but getting progressively weaker at awesome albums. Despite this, I still love listening to this song and hope that Airbourne will keep churning 'em out every couple of years or so.


7. "The Emperor" - Megadeth

Come on, I couldn't leave out a track from Dystopia from this post. I'll admit that if "The Threat Is Real" wasn't released as a single at the end of 2015, I would've chosen that instead but "The Emperor" is probably my second favourite track off the album. Lyrically and musically, it's fucking great; a song flipping the middle finger off at incompetent leaders with brilliant riffs throughout and a hell of a sweet solo with echoes of "Holy Wars... The Punishment Due".


8. "When The Night Comes In" - Black Star Riders

If you're unfamiliar with Black Star Riders, they're basically a heavier version of Thin Lizzy made up of Thin Lizzy band members who didn't want to record new material for that band without Phil Lynott. I've heard quite a few of their songs and definitely like some more than others ("Valley Of The Stones" over "Bound For Glory", any day) but this is my favourite so far and it just so happens to be a single released this year. If you like Thin Lizzy and heavier music, I'd recommend them unless you're a die-hard Phil Lynott fan, as the vocalist sounds like a poorer version of him and it'd probably just piss you off.


9. "Eye Of The Beholder" - Wolfmother

Another song from an album I've already reviewed. Similar to Dystopia, this might not be my favourite song off the album but it IS my favourite off the songs released this year. It's got your standard trippy apocalypse sound that Wolfmother have cultivated through the use of organ and fuzzy guitars but when you get to the halfway point, the track picks up a bit and shifts gear into full-on Rock. It's a shame they couldn't add a guitar solo to that section but it's still great.


10. "Goodbye Angels" - Red Hot Chili Peppers

What's this? ANOTHER Red Hot Chili Peppers song? Technically, I never said I couldn't include multiple songs by the same band on this post and if I'm being totally honest, I would rate this higher than most of the songs in this list and upcoming honourable mentions. It's not a balls-out riff-heavy Rock anthem but it is pure RHCP at their finest, which is saying something without Frusciante involved. I may have been hasty in the past when I claimed the song would be better without Flea's little bass solo before the outro but having given it some thought, I think it works better that way after all. My personal favourite song off The Getaway and maybe, JUST MAYBE, my favourite song of 2016.

Those were my ten favourite songs from 2016 (that I heard and will probably change over time) but that's not to say everything else was rubbish. Here are five tracks that could've made the list if not for the strength of the ten above:


"Bullets & Tears" - Primal Fear

As I said when writing about "At War With The World", I could've chosen from a few songs for the list and if not for that track, this would've made it instead. I can imagine this track being fucking amazing live when that chorus comes around and for that reason, I love listening to it. However, even though I included two RHCP tracks on the list, I couldn't remove one of my top ten for another Primal Fear song.


"Medication For The Melancholy" - Rob Zombie

Yeah, Rob Zombie released an album this year. I should probably listen to it if only to seek out tracks like this. He doesn't do them often but when Rob speeds up the tempo, he fucking rocks. I didn't include this track because it sounds like just another Rob Zombie track off one of his previous albums and I've already got enough of them in my list. I went with Airbourne instead because I can honestly say I prefer "Breakin' Outta Hell" to this, although it's still a great Heavy Metal tune.


"See You Rise" - Diamond Head

Considering how much I said I enjoyed Diamond Head - Diamond Head in my review this year, some of you might be confused as to why I didn't include any tracks in the main list. I do still love the album and "See You Rise" is still my favourite track off it but it just couldn't beat the others on the list. If it didn't have the slower section in the middle, it may have done.


"This Train" - Joe Bonamassa

I don't think I'll ever quite understand why everyone seems to rave about Joe Bonamassa so much when most of the songs I've heard him involved in are just alright but I have to say, this track is pretty solid. It's a fun Blues number, which makes a change from just about every other popular modern Blues track in existence. It's not strong enough to take on any of the main ten but it deserves a mention here.


"Thundering Voices" - Rival Sons

A late entry, as I only heard this track a couple of days ago. I'm sure I've talked about Rival Sons before and how they're a decent Rock band who probably deserve more attention than I'm currently giving them but the reason I didn't include this on the main list is simple; the other tracks have had some time to get old (except the Black Star Riders one, but I know I'll still like that months from now) and I still enjoy listening to them. I can't say the same about this song yet but who knows, maybe I'll still like it in February next year when we're all absolutely shitting ourselves over what the world has become.

That's all from me this year. I hope you enjoyed my 52 posts and your 2017 is better than 2016...unless you're partly to majorly responsible for how shit 2016 turned out, in which case I sincerely hope your next 365 days are utter wank.

The Getaway - Red Hot Chili Peppers

Apologies for the lack of a post last week but I was enjoying the lovely scenery in Whitby. There'll be two posts this week, one of which (hopefully) written by Sarah Taylor like the Burning Bridges review.
For now though, it's me and the boys from California!

I'm not really certain how to start this review so I might as well just come out and say it.
I loved this album.
I didn't think I would enjoy it as much as I did and still do but I really, really liked the majority of The Getaway. It sounded like a good Red Hot Chili Peppers album, although not a great one. If anything, it sounded like the band listened to their own greatest hits compilation (or chunks of Stadium Arcadium) to prepare for writing this one. Fortunately, the album opener/title track "The Getaway" is a perfect reflection of this with all the band's hallmarks from Anthony Kiedis' soft vocals to Flea's prominent bass. It sets up the rest of the album's tone and reminds fans who were disappointed with I'm With You that these guys were masters of their craft.
That's only the first of the tracks musically inspired by the band's back catalogue either. There's also the groovy Funk number "We Turn Red", the delicate guitar driven "The Longest Wave" and instantly catchy/personal album highlight "Goodbye Angels" that contains echoes of "Can't Stop" and "Snow [[Hey Oh]]". The first third of this album is exactly what I want from the Red Hot Chili Peppers; a healthy mix of softer songs with exceptionally crafted lyrics, held together with soulful melodies and the occasional burst of concentrated Rock.
The next third takes a little bit of a dip as the band sway more towards the Pop genre shortly before lurching back to the heavier region of Funk Rock. These aren't bad songs but compared to the earlier tracks, they're not exactly noteworthy entries in the band's career. However, it's interesting to hear songs where the band have clearly taken inspiration from a variety of modern influences, presumably thanks to new producer Danger Mouse. "Feasting On The Flowers" could almost be a Black Keys or song and "Go Robot" is easily single/music video material with its Disco rhythm and use of Gothic synth.

The final portion of the album also contains tracks clearly inspired by other bands but these appear to be straying into areas not immediately associative with RHCP. If anything, the last two tracks cross into Art Rock territory as "The Hunter" uses the piano rhythm and restrained drumming of a Supertramp or Moody Blues song, whereas "Dreams Of A Samurai" brings the album to a Psychedelic, semi-Progressive close (unintentionally borrowing heavily from "Decision/Indecision" - Atomic Rooster in the intro). Don't get me wrong, I'm not complaining. It was a little weird but my kind of weird; the kind of experimental that works in small doses and doesn't loiter around the entire album.
Before I summarise with closing thoughts, I should mention that Josh Klinghoffer has stepped his game up having replaced John Frusciante as guitarist five years ago. His fretwork is more in tune with the band's sound now and I reckon you could play some tracks from this album to someone who wasn't aware of the band's members without them noticing any line-up change at all, the true mark of a great replacement in an established band such as this. As for the rest of the band, they're still going strong. Anthony's vocals are still pitch perfect, Flea's bass is still one of the band's defining features (even if it does get a little self indulgent now & then) and Chad's drumming is still flawlessly tailor made for each track.
To me, this album felt like a roller coaster in reverse. Instead of starting off slow, having an exciting middle and ending on a low note, it was more like an apathy sandwich with surprisingly tasty bread. However, unlike previous RHCP albums released long after their signature hit, I feel like The Getaway lacks the same number of amazing singles and B-sides as some of their previous efforts. By The Way produced at least three instantly recognisable hits that have become staples in the band's live setlist, not to mention a selection of awesome filler tracks such as "This Is The Place" and "Midnight" and that was released about 10 years after Blood Sugar Sex Magik. Meanwhile, I feel like maybe two tracks from this album could become fan favourites depending on how well the band play them live.

I rate this album 8/10 for being a thoroughly enjoyable listen more than once and proving that the band are capable of adapting without losing their touch. Much like Megadeth's Dystopia, this is the band coming back from the brink of a fairly unpopular last album with style and substance and I would definitely recommend this to fans of Alternative Rock both old and new. In fact, if you like some Red Hot Chili Peppers songs but aren't sure if you're a fan of them or not, give this album a listen start to finish and by the end, you'll know.

COMING SOON: Seal The Deal & Let's Boogie - Volbeat review.

Taster Session #4

It's been a while since I've done one of these. Then again, it's been a while since we've had several singles for upcoming Rock albums that I'm potentially interested in coming out. Time to take a look (or rather listen) at some of the new material we've been graced with recently.

"Burn The Witch" - Radiohead         (listen here)
From the album A Moon Shaped Pool (08/05/16)

Oh my God, new Radiohead song guys! Holy shit, it's about time we had new Radiohead to listen to! Fuck me, I can't believe Radiohead have done it again by being Radiohead. I mean, it's taken them nearly 16 years to put this together so the hype is deserved, right? Did you hear the singing? CLASSIC Radiohead, right there. And the strings, OH JESUS I NEARLY FORGOT THE STRINGS!! There are strings in this song but wait for it...wait...THEY'RE PIZZI-MOTHERFUCKING-CAT-MOTHERFUCKING-O!!!! Well obviously this is the best song we're ever going to hear this year until Kanye West hits the studio again so we might as well just revel in the glory that is and always will be Radiohead.
In all seriousness though, it's an OK song considering nothing happens throughout it.


"Bored To Death" - blink-182         (listen here)
From the album California (01/07/16)

Jesus, these guys must have finally run out of "All The Small Things" money. Continuing the trend of 90's Pop Punk bands who've decided to grow up and release Alternative music instead, blink-182 have released...this. It's not edgy, it's not passionate, it's just generic Teen Girl Rock. It's a TV Ad Song, which is pretty impressive as it took Punk icons the Ramones a good 40 years before their music was used to promote fridge warehouses on TV. Hey, guess I was wrong about Punk being an absolute joke of a genre. But enough about that, let's get back on track.
If the rest of the album sounds like this Kings Of Leon ripoff, the band might just become relevant again for the wrong reasons. Meanwhile, I'm sat here waiting for The Offspring to come out with another album.


"I Know There's Something Going On" - Jorn         (listen here)
From the album Heavy Rock Radio (03/06/16)

Well I don't think any of us expected this to be a thing. Not the concept of a covers album by Metal vocalist/solo artist Jorn Lande but the album opener and lead single being a cover of Pop song "I Know There's Something Going On" by ABBA's Frida. I mean, as far as the Pop to Metal transition goes, it's a pretty damn faithful cover and Jorn fucking nails it from start to finish. In fact, if you didn't know about the original version, you could easily assume this was a standard Metal track from someone like Ozzy Osbourne (you know, assuming someone with better singing abilities took the mic instead of him).
This is one of the albums I'm really looking forward to hearing when it drops but not because of this song. It's a good cover but I would've preferred a more well known Pop Rock track covered instead of this one, sort of like the Disturbed cover of Genesis' "Land Of Confusion". I'm still hoping someone performs a Metal cover of "Jesus He Knows Me" - Genesis with double bass drumming and added guitar solos but until then, I guess this album will have to do.


"The Devil's Bleeding Crown" - Volbeat         (listen here)
From the album Seal The Deal & Let's Boogie (03/06/16)

I should probably find more Volbeat songs to listen to as most of the ones I've heard are pretty good. The vocalist sounds a little silly to me but not enough to put me completely off the band, like Axl Rose. However, for all their powerful Hard Rock tracks, there seem to be an equal number of mediocre ones that sound like they were written for radio play, which doesn't work well if you're a band that's on the border between Hard Rock and Metal.
Luckily, this song is what I would call one of the "better" Volbeat tracks in my opinion although there is one glaring fault. I've said before that despite not caring about Nickelback, I really like their song "Burn It To The Ground". This track is REALLY similar to that one...like, REEAAALLLLLY similar. Even the call and response structure between vocals and the main riff in the verse sounds like it's been lifted. Combine that Nickelback song with Volbeat's "A Warrior's Call" and you get "The Devil's Bleeding Crown". Still, there are worse songs they could've ripped off so I'm still looking forward to the new album if this is anything to go by.


"Dark Necessities" - Red Hot Chili Peppers         (listen here)
From the album The Getaway (17/06/16)

...yeah, I don't know.
One thing's clear, this isn't Rock. Not like the band have produced before. It's heavily swaying towards the Funk region and some listeners will probably love that. As for me, I really don't know yet. I feel like I could grow to like this song in the future as there are some enjoyable aspects (such as the outro solo and vocal melody in the chorus) but for now, I'm pretty underwhelmed.
I think RHCP are one of the few bands where I actually prefer their softer songs over their heavier ones. I'd much rather listen to "Snow [[Hey Oh]]", "Under The Bridge" or "Soul To Squeeze" than "Dani California", "Suck My Kiss" or "By The Way". Despite that, this song just didn't do it for me. I may give the rest of the album a listen when it comes out but I doubt it, since I didn't bother with their last one.

Once again, if there are any singles or tracks from upcoming albums that you recommend, let me know here or on Twitter. Mind you, most people probably stopped reading after that shit I said about Radiohead at the start and the rest probably stopped paying attention after I reminded you that there's a Nickelback song I like. Nothing but popular opinions here!